Illumination; The Magic Lantern
It has been a while since
I’ve seen a film as beautiful and poetic as Everlasting
Moments (Swedish: Maria Larssons eviga ögonblick,
2008).
I did not know what to expect.
The synopsis said that it was about a woman who is trying to be a
photographer at the turn of the 20th century. She is facing many obstacles, one of them
being her husband who is a drunk and a womanizer. Given the usual ideological subtext present
in cinema, which is artistically nuanced as a billboard on a highway, I am
perpetually cautious as a viewer. But
ideology did not overtake this film.
The film centers on Maria
Larsson, a wife and mother, who wins a camera in a lottery. She is the focus of the film but her story is
narrated by her daughter Maja. Maria is
struggling to take care of her family and is running into many difficulties,
mainly because her husband, Sigfrid, is wasting money on drinking. Sigfrid is an aggressive drunk, who
occasionally beats Maria and the children, and this magnifies Maria’s
suffering.
In order pay for the
bills, she decides to take the camera she won in a lottery to the local
photography studio. Perhaps she might be
able to sell it. She meets Sebastian
Pedersen, a photographer who primarily does portraits. Instead of buying the camera, he suggests
that Maria experience it first before she sells it. Of course, she finds this frivolous in the
midst of her suffering. But she is at
the same time intrigued by the “miracle” of development and printing of film.